A title sequence for the film "Blow Up". Michelangelo Antonioni's film follows a 1960s, London based photographer who believes he may have photographed a murder. The film presents themes of distortion and egotism against a backdrop of photography, documentation, and fashion.
This sequence uses a loupe and mock contact sheets of clothing being thrown in a studio to present the tone of obsessive over-analyzation and violence set to an eerie slowness.